Sunday, September 30, 2012

Five Deadly Venoms (1978)

The only reason I can see that anybody should watch this feature, is to find the source of all the parodies that this has created over the years. Everything here, from the acting to the staging, the set design and even the way its lit, everything conspires to make this feel like you should not be taking it seriously.

Meanwhile, the story itself putters along in the background being completely inconsequential to the film as a whole. The conceit is there just to get these great fighters together, but when they do, even the epic fight sequences feel lacklustre in execution.

Saturday, September 22, 2012

O Brother, Where Art Thou? (2000)

Firstly, the cinematography (or is it Julius Friede and Mike Bellamy's coloring that's to praise?) and the music are the two stand-out attractions of this feature. The story itself is also fairly compelling. It's the individual elements that don't stack up.

For example, the singing women. Sure, anyone intelligent can see what they're supposed to be, but in the context of the film: Why don't they stop singing long enough to say hello? That and the recurring references to hair gel - at no point did this obsession get them in or out of trouble and so felt ridiculously tacked on.

Sunday, September 9, 2012

Attack the Gas Station! (1999)

Comprising the events during one night at a gas station during the robbery and occupation by a group of four young hoodlums, Attack moves from scene to scene with a kinetic frenzy that surges through the entire film.

From start to culminating completion, the elements and events introduced one at a time eventually, as they grow increasingly beyond their control, pile up on top of another. Gang comes against rival gang, police come against all gangs, the staff become semi-enamoured with the initial muggers and everyone else is against the teens. Very frenetic and as funny as it is action packed.

Saturday, September 8, 2012

Akira (1988)

The problem with the human body is that the jaw can only drop so far. Once its hit its limit, that's all there is to it. If you have any semblance of understanding the work involved in animation, you will realise this very quickly while watching Akira.

While I want to fault my initial viewing of the film on a confusing, multi-faceted plot, I just can't. I feel that it has all the components there to be amazing, but I wasn't ready for how the film doled out its wealth of information and intrigue.

This is definitely one to be revisited.